Description
Excerpt from Porcelain Its Nature Art and Manufacture
The question of the marks used on the various porcelains has exercised my mind a good deal, and after much doubt and perplexity, I have come to the conclusion that it would be better to omit them altogether from this book. In the first place, it would need a volume as large as this to discuss the subject of marks alone; but far beyond that, I am convinced that most collectors have paid a great deal more attention to marks than they deserve and that the only safe method of discrimination must be based on the observation of the qualities of body and glaze, or colour and decoration, such as has been followed here. It must never be forgotten (i) that many of the choicest specimens of porcelain are unmarked; (2) that the marks of one period or one factory have been imitated or copied at other times and places; and (3) that the first thing a forger imitates, and generally the easiest thing for him to imitate, is the mark of the much-prized ware. Bearing these facts in mind, as well as the fact that there are many volumes already in existence exclusively devoted to this branch of the subject, I have given no reproductions of marks in this volume, deeming it better to devote the space to more important things.
In conclusion,, I have to thank Mr. Bernard Rackham, of the Victoria and Albert Museum, for much assistance in the selection of typical specimens for illustration and in the supervision of the photographer when it was impossible for me to be in London.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The question of the marks used on the various porcelains has exercised my mind a good deal, and after much doubt and perplexity, I have come to the conclusion that it would be better to omit them altogether from this book. In the first place, it would need a volume as large as this to discuss the subject of marks alone; but far beyond that, I am convinced that most collectors have paid a great deal more attention to marks than they deserve and that the only safe method of discrimination must be based on the observation of the qualities of body and glaze, or colour and decoration, such as has been followed here. It must never be forgotten (i) that many of the choicest specimens of porcelain are unmarked; (2) that the marks of one period or one factory have been imitated or copied at other times and places; and (3) that the first thing a forger imitates, and generally the easiest thing for him to imitate, is the mark of the much-prized ware. Bearing these facts in mind, as well as the fact that there are many volumes already in existence exclusively devoted to this branch of the subject, I have given no reproductions of marks in this volume, deeming it better to devote the space to more important things.
In conclusion,, I have to thank Mr. Bernard Rackham, of the Victoria and Albert Museum, for much assistance in the selection of typical specimens for illustration and in the supervision of the photographer when it was impossible for me to be in London.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Details
Publisher - Forgotten Books
Language - English
Hardback
Contributors
Author
William Burton
Published Date -
ISBN - 9780331608533
Dimensions - 22.9 x 15.2 x 1.9 cm
Page Count - 358
Paperback
Contributors
Author
William Burton
Published Date -
ISBN - 9781330781982
Dimensions - 22.9 x 15.2 x 1.9 cm
Page Count - 360
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