Description
Excerpt from The Psychology of Laughter
Another difficulty lies in the fact that very little satis factory and systematic work has been done in the domain of the psychology of laughter and the ludicrous. Theo ries have been advanced since the time of Aristotle, but they have been fragmentary and abstract. Extensive and important as the domain of the ludicrous is in the life of mankind, the scientific investigator devotes but little time and space to this side of human activity. This may be partly due to the fact that the comic is regarded as super ficial and trivial, or as dealing at best with the common place of life, possibly below the dignity of the scientific inquirer. Even a man like Bergson excludes comedy from the high sphere of art. He tells us that the nature of comedy is opposed to tragedy, drama, and other forms of art. According to Bergson, the sole object of true art is the individual; not so comedy, which deals with the general, the typical. Art deals with individual things as they really are; while comedy, like life, is concerned with general characters, with types. Comedy is prosalc. In other words, comedy does not belong to the sphere of art. In spite of his remarkable acumen, Bergson is entirely wrong in his generalization. Both tragedy and comedy deal with types.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Another difficulty lies in the fact that very little satis factory and systematic work has been done in the domain of the psychology of laughter and the ludicrous. Theo ries have been advanced since the time of Aristotle, but they have been fragmentary and abstract. Extensive and important as the domain of the ludicrous is in the life of mankind, the scientific investigator devotes but little time and space to this side of human activity. This may be partly due to the fact that the comic is regarded as super ficial and trivial, or as dealing at best with the common place of life, possibly below the dignity of the scientific inquirer. Even a man like Bergson excludes comedy from the high sphere of art. He tells us that the nature of comedy is opposed to tragedy, drama, and other forms of art. According to Bergson, the sole object of true art is the individual; not so comedy, which deals with the general, the typical. Art deals with individual things as they really are; while comedy, like life, is concerned with general characters, with types. Comedy is prosalc. In other words, comedy does not belong to the sphere of art. In spite of his remarkable acumen, Bergson is entirely wrong in his generalization. Both tragedy and comedy deal with types.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Details
Publisher - Forgotten Books
Author(s) - Boris Sidis
Hardback
Published Date -
ISBN - 9780266868194
Dimensions - 22.9 x 15.2 x 2 cm
Page Count - 314
Paperback
Published Date -
ISBN - 9781330152690
Dimensions - 22.9 x 15.2 x 1.7 cm
Page Count - 316
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