Description
Excerpt from Cremona: An Account of the Italian Violin-Makers and Their Instruments
Although many experts have already set forth the result of their knowledge and skill in publications of more or less merit on the subject of bowed instruments, there is still a want which it would be as desirable as praiseworthy to supply, that is, as regards the characteristic features of the Italian masters of the art of violin-making.
The Author has set himself the task of collecting, as much from the actual instruments themselves, as from ancient and modern literature, both foreign and native, the names of the masters with the greatest possible accuracy and care, and also of describing the work of each individual. He has omitted -to dwell upon those stringed instruments which preceded the violin, and from which it may have been developed, because those materials have been sufficiently dealt with 5 and he begins with the origin of the violin itself, so that the reader may learn how to estimate the genuineness and the value of the Italian instruments, so far as it may be possible from the description accorded to them.
Although many instruments have passed through the Author's hands, he is still far from saying that he has seen all those which are described here. He mentions with peculiar pleasure an excellent work from which he has learnt much, and of which he has made use, and he can do this with the greater confidence because the author of that work is known to him personally as an authority of the first rank in his art. The title of this work is The Violin its Famous Makers and their Imitators, by George Hart. London, 187 5.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Although many experts have already set forth the result of their knowledge and skill in publications of more or less merit on the subject of bowed instruments, there is still a want which it would be as desirable as praiseworthy to supply, that is, as regards the characteristic features of the Italian masters of the art of violin-making.
The Author has set himself the task of collecting, as much from the actual instruments themselves, as from ancient and modern literature, both foreign and native, the names of the masters with the greatest possible accuracy and care, and also of describing the work of each individual. He has omitted -to dwell upon those stringed instruments which preceded the violin, and from which it may have been developed, because those materials have been sufficiently dealt with 5 and he begins with the origin of the violin itself, so that the reader may learn how to estimate the genuineness and the value of the Italian instruments, so far as it may be possible from the description accorded to them.
Although many instruments have passed through the Author's hands, he is still far from saying that he has seen all those which are described here. He mentions with peculiar pleasure an excellent work from which he has learnt much, and of which he has made use, and he can do this with the greater confidence because the author of that work is known to him personally as an authority of the first rank in his art. The title of this work is The Violin its Famous Makers and their Imitators, by George Hart. London, 187 5.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Details
Publisher - Forgotten Books
Author(s) - Friedrich Niederheitmann
Hardback
Published Date -
ISBN - 9781528061490
Dimensions - 22.9 x 15.2 x 1 cm
Page Count - 119
Paperback
Published Date -
ISBN - 9781332117581
Dimensions - 22.9 x 15.2 x 0.7 cm
Page Count - 121
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