Description
Excerpt from Fonts and Font Covers
The third part deals historically with Pre Conquest, Norman, Gothic, and l'ost Reformation. Design, and concludes with a chapter on the desecration and destruction which has befallen so many fonts and covers. It may be mentioned here that, as in his other publications, the writer recognises no hard and fast periods of font design any more than he does of architectural design. For convenience labels have been attached, it must be borne in mind that they do not necessarily connote chronological facts. When a twelfth century font is spoken of, it is not to be inferred that the font is necessarily work of that century. All that is meant is that its design IS such as was most common in the twelfth century. It may actually be work done in the later years of the eleventh, or in the early years of the thirteenth century. As for fourteenth and fifteenth century work, no line of demarcation can be drawn at all i font design of the first half of the fourteenth century shades off by impero ceptible transitions to that of the work of the last half of the fourteenth century, the fifteenth, and the first half of the sixteenth century.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The third part deals historically with Pre Conquest, Norman, Gothic, and l'ost Reformation. Design, and concludes with a chapter on the desecration and destruction which has befallen so many fonts and covers. It may be mentioned here that, as in his other publications, the writer recognises no hard and fast periods of font design any more than he does of architectural design. For convenience labels have been attached, it must be borne in mind that they do not necessarily connote chronological facts. When a twelfth century font is spoken of, it is not to be inferred that the font is necessarily work of that century. All that is meant is that its design IS such as was most common in the twelfth century. It may actually be work done in the later years of the eleventh, or in the early years of the thirteenth century. As for fourteenth and fifteenth century work, no line of demarcation can be drawn at all i font design of the first half of the fourteenth century shades off by impero ceptible transitions to that of the work of the last half of the fourteenth century, the fifteenth, and the first half of the sixteenth century.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Details
Publisher - Forgotten Books
Author(s) - Francis Bond
Hardback
Published Date -
ISBN - 9780266270058
Dimensions - 22.9 x 15.2 x 2.3 cm
Page Count - 376
Paperback
Published Date -
ISBN - 9781332128570
Dimensions - 22.9 x 15.2 x 2 cm
Page Count - 378
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