{"product_id":"the-brussels-review-autumn-2026","title":"The Brussels Review: Autumn 2026","description":"\u003cp style=\"box-sizing: border-box; padding: 0px; margin: 0px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003eNineteen stories, eight poets, three essays, and a photo essay that refuses to stay in its own section.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003eThis issue's featured artist is \u003c\/span\u003e\u003cspan class=\"a-text-bold\" style=\"box-sizing: border-box; font-weight: 700 !important;\"\u003eNajib Joe Hakim\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e, the Palestinian American photographer whose \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eHome Away from Home: Little Palestine by the Bay\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e pairs portraits with the oral histories of Palestinians living in the San Francisco Bay Area. Twenty-four of those portraits are scattered through this issue rather than gathered in one place. They will interrupt the flow. They will stand between poems. That is the intention. Each face carries a code; the sitter's own voice waits behind it.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan class=\"a-text-bold\" style=\"box-sizing: border-box; font-weight: 700 !important;\"\u003eFiction\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003eMadeleine Foster, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003e2000 Light Years From Home\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Jacinta Cogan, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eImperial Blue\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Craig Stockwell, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eRighteousness\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Ema Dumitru, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eClean like forgetting\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Charlie Freelander, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eMainland\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Soline Lippe de Thoisy, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eOlfactory intrusion\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Monika Andrulyte, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eCesarean section\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Julia Breitkreutz, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eWitness\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Daryna Riznyk, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eBakhmut\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Chad Poovey, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eA Simple Story about Pigs\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Tomasz Laczny, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eThe Prince Bites\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Patrick Kruth, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eTill Death Calls You Away\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Yvonne Conza, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eBlue Lady\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Robert Dall, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eThe Murray Slaughter Experience\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Keith M. Hinrichs, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eCurrency\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Juan Parra, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eSalt and Vinegar\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Jake Shore, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eImmersive Theatre\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Joanne Soper-Cook, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eHerr Meisner's God\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · David W. Sprecher, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eReunion on Sage Street\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan class=\"a-text-bold\" style=\"box-sizing: border-box; font-weight: 700 !important;\"\u003ePoetry\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003eThomas Heise · Daniel Rye · Laura Michiels · Cait McCann · Susan Kolon · Genevieve Chornenki · Steve Pollack · Sajidah Mustafa AlSaihati\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan class=\"a-text-bold\" style=\"box-sizing: border-box; font-weight: 700 !important;\"\u003eNonfiction\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003eChris Arthur, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eYou're not really going to call it 'The Art of the Essayist,' are you?\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Michael Hardin, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eTools\u003c\/span\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e · Baharan Eghbalzadeh, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" style=\"box-sizing: border-box; font-style: italic !important;\"\u003eA note to self: on love and other apps\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003eThe Brussels Review publishes new fiction, poetry and nonfiction from writers working in and beyond Europe, alongside the work of a featured artist in every issue. It is edited by Dritan Kiçi with Femke van Son, Filippo Beltrami and Sofia Topi, and published by ACC Switzerland.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 14px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003e328 pages. Print ISSN 3041-4423.\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"box-sizing: border-box; padding: 0px; margin: -4px 0px 0px; color: #0f1111; font-family: \" amazon ember arial sans-serif font-size:=\"\" background-color:=\"\"\u003e\u003cspan style=\"box-sizing: border-box;\"\u003ethebrusselsreview.com\u003c\/span\u003e\u003c\/p\u003e","brand":"The Brussels Review","offers":[{"title":"Perfect Bound","offer_id":67820182372656,"sku":"9782390690665","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0262\/2357\/5085\/files\/9782390690665.jpg?v=1789923096","url":"https:\/\/www.thegreatbritishbookshop.co.uk\/products\/the-brussels-review-autumn-2026","provider":"The Great British Bookshop","version":"1.0","type":"link"}