{"product_id":"helice-30","title":"Hélice 30","description":"\u003cp\u003eÍndice\u003c\/p\u003e\u003cp data-start=\"81\" data-end=\"94\"\u003eEditorial — 2\u003c\/p\u003e\u003cp data-start=\"96\" data-end=\"203\"\u003eMiscelánea\u003cbr data-start=\"106\" data-end=\"109\"\u003eHow Much?: An Interesting Typo in Kim Stanley Robinson’s \u003cem data-start=\"166\" data-end=\"182\"\u003eThe Gold Coast\u003c\/em\u003e — 7\u003cbr data-start=\"186\" data-end=\"189\"\u003eJonathan Hay\u003c\/p\u003e\u003cp data-start=\"205\" data-end=\"291\"\u003e\u003cstrong\u003eReflexiones\u003c\/strong\u003e\u003cbr data-start=\"216\" data-end=\"219\"\u003eOn the Monographic Section about Posthumanism — 9\u003cbr data-start=\"268\" data-end=\"271\"\u003eSara Martín Alegre\u003c\/p\u003e\u003cp data-start=\"293\" data-end=\"398\"\u003eRetrospective Posthumanism: \u003cem data-start=\"335\" data-end=\"349\"\u003eFrankenstein\u003c\/em\u003e According to Our Vocabulary — 11\u003cbr data-start=\"382\" data-end=\"385\"\u003eSara Martín\u003c\/p\u003e\u003cp data-start=\"400\" data-end=\"536\"\u003eThe Female, the Intertextual, and the Transhuman in William Gibson’s \u003cem data-start=\"483\" data-end=\"499\"\u003eMolly Millions\u003c\/em\u003e — 23\u003cbr data-start=\"504\" data-end=\"507\"\u003eFrancisco Collado-Rodríguez\u003c\/p\u003e\u003cp data-start=\"538\" data-end=\"672\"\u003eOf Mutants and Monsters: A Posthuman Study of Verhoeven’s and Wiseman’s \u003cem data-start=\"624\" data-end=\"638\"\u003eTotal Recall\u003c\/em\u003e — 37\u003cbr data-start=\"643\" data-end=\"646\"\u003eBeatriz Domínguez-García\u003c\/p\u003e\u003cp data-start=\"674\" data-end=\"832\"\u003ePosthuman Worldbuilding in Nalo Hopkinson’s \u003cem data-start=\"732\" data-end=\"749\"\u003eMidnight Robber\u003c\/em\u003e: An Exploration of the Techno\/Natural Divide — 52\u003cbr data-start=\"799\" data-end=\"802\"\u003eLidia María Cuadrado Payeras\u003c\/p\u003e\u003cp data-start=\"834\" data-end=\"948\"\u003eExperiencing the Posthuman: The Cinematic Clone in the 21st Century — 65\u003cbr data-start=\"920\" data-end=\"923\"\u003eRocío Carrasco Carrasco\u003c\/p\u003e\u003cp data-start=\"950\" data-end=\"1114\"\u003e\u003cem data-start=\"964\" data-end=\"984\"\u003eMors Dei, Vita Mea\u003c\/em\u003e: Human, Transhuman, and Posthuman Identities in the TV Series \u003cem data-start=\"1047\" data-end=\"1063\"\u003eAltered Carbon\u003c\/em\u003e and \u003cem data-start=\"1068\" data-end=\"1079\"\u003eWestworld\u003c\/em\u003e — 79\u003cbr data-start=\"1084\" data-end=\"1087\"\u003eAmaya Fernández Menicucci\u003c\/p\u003e\u003cp data-start=\"1116\" data-end=\"1242\"\u003e\u003cem data-start=\"1130\" data-end=\"1145\"\u003eThe Tiger Flu\u003c\/em\u003e: A Critical Posthumanist Response to the Illusion of Transhumanism — 99\u003cbr data-start=\"1217\" data-end=\"1220\"\u003eMónica Calvo Pascual\u003c\/p\u003e\u003cp data-start=\"1244\" data-end=\"1358\"\u003e\u003cstrong\u003eCrítica\u003c\/strong\u003e\u003cbr data-start=\"1251\" data-end=\"1254\"\u003eLos viejos mundos de la ciencia ficción española, bien al descubierto — 111\u003cbr data-start=\"1329\" data-end=\"1332\"\u003eMariano Martín Rodríguez\u003c\/p\u003e\u003cp data-start=\"1360\" data-end=\"1420\"\u003e\u003cstrong\u003eRecuperados\u003c\/strong\u003e\u003cbr data-start=\"1371\" data-end=\"1374\"\u003eThe Perfect Slave — 119\u003cbr data-start=\"1397\" data-end=\"1400\"\u003eFederico de Castro\u003c\/p\u003e\u003cp data-start=\"1422\" data-end=\"1474\"\u003eThe Iron City — 124\u003cbr data-start=\"1455\" data-end=\"1458\"\u003eSalvador Rueda\u003c\/p\u003e\u003cp data-start=\"1476\" data-end=\"1590\"\u003eParaísos futuros: tres himnos utópicos — 127\u003cbr data-start=\"1534\" data-end=\"1537\"\u003eIon Heliade-Rădulescu, Pietro Gori, Guerau de Liost\u003c\/p\u003e\u003cp data-start=\"1592\" data-end=\"1711\"\u003eHumanos y equivalentes: dos historias prospectivas satíricas — 136\u003cbr data-start=\"1672\" data-end=\"1675\"\u003eIppolito Nievo, António Gomes Neto\u003c\/p\u003e\u003cp data-start=\"1713\" data-end=\"1893\"\u003eVisiones tras los apocalipsis: cuatro poemas épico-fantásticos sobre ruinas — 165\u003cbr data-start=\"1808\" data-end=\"1811\"\u003eAnatole France, Arturo Graf, Auguste Angellier, Alexandru Petroff, António Feijó\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp data-start=\"1895\" data-end=\"2086\"\u003eNuevas escrituras sobre el Dios y el Diablo: seis ficciones teológicas dualistas — 177\u003cbr data-start=\"1995\" data-end=\"1998\"\u003eÀngel Guimerà, Renée Vivien, Arturo Graf, Ion Pillat, Humberto De Campos, Gian Fontana\u003c\/p\u003e","brand":"Gaspar \u0026 Rimbau","offers":[{"title":"Perfect Bound","offer_id":51328096895280,"sku":"9788418613302","price":19.0,"currency_code":"GBP","in_stock":true}],"url":"https:\/\/www.thegreatbritishbookshop.co.uk\/products\/helice-30","provider":"The Great British Bookshop","version":"1.0","type":"link"}